Biography

“With a vocal register that the program describes as spinto tenor — named for the Italian word for “pushed” — Piper delivers exaltant crescendoes that sound effortless, especially in the opera’s famous, murderous finale, “No, pagliaccio, non son”. ”   (Opera Tampa -Cavalleria/Pagliacci)

Spinto tenor Scott Piper’s rich, resonant voice and charismatic stage presence are quickly establishing him as a sought after interpreter of opera’s romantic leading men,  in roles such roles as the Cavaradossi in Tosca, Don José in Bizet’s Carmen, Pinkerton in Puccini’s Madama Butterfly and Turiddu in Cavalleria Rusticana.  The Salt Lake Tribune wrote of his Utah Opera performance “His voice was rich and natural, with baritone heft in the lower range; his heart-tugging third-act aria, “E lucevan le stelle,” was one of the evening’s highlights.” Recently transitioning into spinto repertoire, Scott sang Calaf in Turandot for Pensacola Opera and Minnesota Opera, Manrico in Il Trovatore with Utah Opera, and Luigi in Il Tabarro with Opera Köln.  Engagements for the 2013-2014 season include Cavaradossi in Tosca with Madison Opera and Austin Lyric Opera, as well as his return to Opera Köln to cover Verdi’s Otello. Future seasons will see his debut in Wiesbaden as Pollione in Norma and reappearance in Köln as Otello.

Recently, Scott made his role debut as Turiddu with the New Israeli Opera, added Canio for a Cavalleria – Pagliacci double bill with Opera Tampa, and debuted Manrico in  Verdi’s Il trovatore with Opera Roanoke, and with Sarasota Opera Anatol in Barber’s Vanessa and returned to his signature roles; Rodolfo in La bohème with Angers-Nantes Opera in France,  Don Jose in Carmen with Kentucky Opera and Nashville Opera; and Edgardo in Lucia di Lammermoor with Seattle Opera.

During the 2009-2010 season, he was seen as Edgardo in Lucia di Lammermoor with Tulsa Opera, and Cleveland Opera, and the title role in Faust with The New Israeli Opera and Dayton Opera.  Engagements for 2008-2009 included Pinkerton in Madama Butterfly with both Florentine Opera and the Utah Opera, the Duke in Rigoletto in Dublin Ireland, and Roldofo in La bohème and Don José in Carmen with New Israeli Opera.  Engagements for 2007-2008 saw Mr. Piper as Don José in Carmen once again with New York City Opera as well as with Intermountain Opera, returning to Jacksonville Symphony for Alfredo in La traviata, singing Cavaradossi for Utah Opera’s Tosca, and making his debut with Florentine Opera as Tebaldo in I Capuleti e i Montecchi.  Highlights of the 2006-2007 included his debuts with Seattle Opera and Opera Birmingham as Rodolfo in La bohème, Jose in Carmen with New York City Opera, Tulsa Opera, and Des Moines Metro Opera, and Beethoven’s Ninth Symphony with Eugene Symphony. Other recent engagements include a return to Minnesota Opera in the North American Premiere of Mercadante’s Orazi & Curiazi, Des Grieux in Manon Lescaut for the Intermountain Opera Association, and his Glimmerglass Opera debut as Steva in Jenůfa.

Mr. Piper’s artistry has been heard throughout the Americas, Europe and Asia. He has recently appeared with Houston Grand Opera, the International Music Festival of Macau, Vancouver Opera (British Columbia), Compañia Lírica Nacional de Costa Rica, the New Peoples Theater of Moscow (Russia), Minnesota Opera, Opera Pacific, Lyric Opera of Kansas City, the Jacksonville Symphony Orchestra, Dayton Opera, Madison Opera, Michigan Opera Theater, and New York City Opera.  In Italy he has appeared in Rome, Catanzaro, Modena, Ravenna, and at Teatro di Verdi in Busseto.  He also appears as Alfredo in the DVD of Franco Zeffirelli’s production of La traviata with Stefania Bonfadell and  Renato Bruson, conducted by Placido Domingo.

Latest News About Scott Piper

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In Review: Scott Piper as Cavaradossi in Austin

“When Scott Piper, as the artist Cavaradossi, declared his devotion to his raven-haired diva, his pure tenor rocketed upward till it scraped the clouds; all he lacked to be a celestial messenger was the wings.”- Austin Chronicle

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“The power and perfection of tenor soloist Scott Piper in … read more

Scott Piper offers a “rich, nuanced” Cavaradossi in Madison Opera’s “Tosca”

“As Cavaradossi, Scott Piper settles into the role in the second and third acts — his “E lucevan le stelle” (“And the stars shone”) and “O dolci mani” (“sweet hands”), both in the third act, show off a rich, nuanced instrument. Piper makes Cavaradossi a true romantic.” – 77 Square… read more