“It is difficult to believe that Michael Mayes was undertaking the title role for the first time. Mayes captured the many facets of the deformed jester, first mocking and then raging at the members of the depraved court, as his attempts to protect his daughter moved from steely to tragically futile. This gifted baritone was never less than compelling dramatically, but his performance of “Cortigiani, vil razza dannata” was superb.” – Opera News

With a “powerful” voice and an “arresting stage presence”, baritone Michael Mayes is known for his consummate portrayals of iconic characters in the operatic repertoire. Originally from Cut and Shoot, Texas, Michael has performed with opera companies across the United States including Cincinnati Opera, Palm Beach Opera, Kentucky Opera, Des Moines Metro Opera, Arizona Opera, Central City Opera, Michigan Opera Theater, and Fort Worth Opera. In the 2013-2014 season, Mr. Mayes debuted the role of Rigoletto with Boston Lyric to critical acclaim.  Additionally, he debuted with the Gotham Chamber Opera in Baden-Baden 1927, Madison Opera in Dead Man Walking, and returned to Pensacola Opera as Escamillo in Carmen.  He will tackle the role of Joseph De Rocher once again in his return to Central City Opera in the summer of 2014 and will create the role of Adam in The Canticle of the Black Madonna with Anima Mundi Productions. Engagements for the 2014-2015 season include Charlie in Jake Heggie’s Three Decembers with UrbanArias, Eisenstein in Die Fledermaus with Syracuse Opera, a return to Michigan Opera Theater for his role debut as Sharpless in Madama Butterfly, Escamillo in La Tragédie de Carmen with Opera Delaware, Marcello in La bohème with Pensacola Opera, a reprise of his acclaimed Joseph De Rocher with Opera Parallèle in San Francisco, Older Thompson in Glory Denied with Opera Memphis, and Lawrence in The Wreckers with Bard SummerScape. Additional upcoming engagements include his debut with Dallas Opera and San Diego Opera in the world premiere of Jake Heggie’s Great Scott, another Dead Man Walking with New Orleans Opera, and appearances with Opera Omaha and Baltimore Concert Opera.

In the 2012-2013 season, Mr. Mayes reprised his critically acclaimed Joseph De Rocher for Eugene Opera.  Additionally he appeared with UrbanArias in Photo-Op, sang Eisenstein in Die Fledermaus for Opera on the James, Figaro in Il barbiere di Siviglia with Pensacola Opera, Don Giovanni with the Green Mountain Opera Festival, and returned to Ft. Worth Opera as Elder Thompson in the critically acclaimed Glory Denied. The 2011-2012 season saw Mr. Mayes’ greatest challenge to date on the operatic stage as he performed with Tulsa Opera in his role debut of Joseph De Rocher in Dead Man Walking.  Additionally, Mr. Mayes returned to Kentucky Opera as Escamillo in Carmen, Shreveport Opera as Danilo in Merry Widow, Fort Worth Opera as Kinesias in Lysistrata, and debuted with Nashville Opera as Silvio in Pagliacci.  He returned to Des Moines Metro Opera in the summer of 2012 in the title role in Don Giovanni.  Engagements for 2010-2011 included Valentin in Faust with Opera Birmingham, Marcello in La bohème with Eugene Opera and Des Moines Metro Opera, Silvio in Pagliacci with Kentucky Opera, the title role in Don Giovanni with Shreveport Opera, and Papageno in Die Zauberflöte with Michigan Opera Theater.

Mr. Mayes joined the roster of the Metropolitan Opera in the 2009-2010 season, performed Conte Almaviva in Le nozze di Figaro with Des Moines Metro Opera, the title role in Il Barbiere di Siviglia for Sugar Creek Opera, and Marcello in La bohèmewith Duluth Festival Opera, Shreveport Opera, and New Brittain Symphony. He also sang Orff’s Carmina Burana with the Oklaholma Ballet and San Antonio Symphony, and Guglielmo in Così fan tuttewith Arizona Opera.  In the 2008-2009 season, Mr. Mayes sang the title role in Don Giovanni with Connecticut Opera, Marcello in La bohème with Skylight Opera Theater, Conte di Luna in Il trovatore with Eugene Opera, and Morales in Carmen and Motorcycle Cop in Dead Man Walking with Fort Worth Opera.

Engagements for 2007-2008 included Dandini in La cenerentola with Connecticut Opera, Lancelot in Augusta Opera’s Camelot, Top in The Tender Land with the Charleston Symphony Orchestra, Marcello in La bohème with Opera on the James, Mercutio in Roméo et Juliette with PORTOpera, and Peter in Opera Company of Philadelphia’s production of Hänsel und Gretel. In an extension of his involvement with the development of Margaret Garner, a new opera by Richard Danielpour, Mr. Mayes performed with The Opera Company of Philadelphia the role of Edward Gaines opposite Mezzo-soprano Denyce Graves, which he also performed at Opera Carolina with Ms. Graves to critical acclaim.   A graduate of the University of North Texas,   Mr. Mayes has appeared internationally in conjunction with La Fenice in Castel-Franco Veneto, Italy.  Mr. Mayes’ honors include 3rd place winner at the Metropolitan National Council Auditions in Chicago, the Entergy Young Texas Artist Competition Vocalist Award, John Alexander Award, the John Moriarty Award, and an advanced division winner at the Anton Guadagno Vocal Competition.

Latest News About Michael Mayes

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Opera News hails Michael Mayes for Opera Parallele “Dead Man Walking”

“As convicted death row inmate Joseph De Rocher, baritone MICHAEL MAYES sang and acted with animalistic ferocity. Loud and blunt, the frightening murderer’s humanity gradually emerged in his many scenes with Sister Helen, especially a touching scene where they swap Elvis Presley stories.” – OPERA NEWS

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Mayes triumphs in Memphis “Glory Denied”

“At the center is Older Thompson, sung by baritone MICHAEL MAYES with power and nuance. Mayes has performed this role before and it’s difficult to imagine how, with his skill at the dramatic and in singing, it might be done better. He has the bearing of an officer yet we … read more