Biography

Hailed by The New York Times as “a bass with an attitude and the goods to back it up,” Matt Boehler has been critically acclaimed both for his dramatic skill and his vocal ability.  With Wolf Trap Opera Company, Mr. Boehler garnered much praise in the title role in Sweeney Todd.  The Washington Post raved, “There are times, in fact, when this young man with a huge crossover career ahead of him is standing in a crowd of actors, and you’d swear he was the only person onstage.”

The season of 2012-13 finds Mr. Boehler making several house and role debuts. He makes his  Madison Opera as Leporello in Don Giovanni.  He will perform his first Sparafucile with Minnesota Orchestra, reprising the role with Theater St. Gallen in Switzerland, where he will also be seen as Sarastro in Die Zauberflöte and Count Horn in Un ballo in maschera. He also will return to Carnegie Hall for performances of Messiah with Musica Sacra.

In the 2011-2012 season, he sings Drebednev in Moscow, Cheryomushki with Chicago Opera Theater, Nourabad in Les pêcheurs de perles for Hawaii Opera Theater, and two operas by Philip Glass: In the Penal Colony with American Opera Projects and Kepler with Spoleto Festival USA. He can be heard in performances of Messiah with the Jacksonville Symphony and the Portland Baroque Orchestra as well.

In recent seasons, Mr. Boehler has enjoyed busy schedules on both the operatic stage and the concert platform. He  joined the rosters of Lyric Opera of Chicago and The Metropolitan Opera, covering roles at both houses. He has been featured in productions with Minnesota Opera, Opera Theater of Saint Louis, Wolf Trap Opera, Opera Lyra Ottawa, Central City Opera, Florentine Opera, Hawaii Opera Theater, Opera New Jersey and Festival Lyrique-en-mer.  In concert, he has been heard with the New York Philharmonic, Baltimore Symphony Orchestra, American Symphony Orchestra, Orpheus Chamber Orchestra and Oratorio Society of New York.  He has been seen in several critically acclaimed performances with the New York Festival of Song and he recently appeared in recital with the Lotte Lehmann Foundation in their first annual Emerging Artists Concert Series.

Mr. Boehler is also a frequent collaborator within the world of contemporary music.  In addition to the work of recent seasons, he has been seen in two world premieres of John Musto’s work: The Inspector with Wolf Trap Opera and Bastianello, along with William Bolcom’s Lucrezia, with New York Festival of Song.  He premiered Michael Dellaira’s The Secret Agent with Center for Contemporary Opera, and he has been seen in Argento’s Casanova’s Homecoming and Poul Ruders’ The Handmaid’s Tale, both with Minnesota Opera.  His discography includes recordings of Bastianello and Lucrezia with NYFOS and a disc of songs by Stefan Wolpe with pianist Ursula Oppens; he can also be heard on recordings of Bernstein’s Mass with Baltimore Symphony Orchestra and of Schumann’s Scenes from Goethe’s Faust with American Symphony Orchestra as well.

He is a graduate of the Juilliard Opera Center and he held a three year tenure as a resident artist with Minnesota Opera.  At Viterbo University, his first alma mater, he graduated with a degree in Theatre Arts.

 

Latest News About Matt Boehler

Read more News about Matt Boehler

BEST OF: Performances of Matt Boehler and Marie Lenormand make New York Times’ list of 2011 highlights

Vivien Schweitzer, music critic for the New York Times, included performances by ADA artists Matt Boehler and Marie Lenormand in her classical music highlights of 2011.

Marie Lenormand as the Fox in Janacek’s The Cunning Little Vixen:

‘CUNNING LITTLE VIXEN’ A host of unusual creatures have appeared with Alan

read more

Boehler impresses with “chilling intensity” and “sonorous bass”

Philip Glass’ “In the Penal Colony”
American Opera Projects

“As the Officer, Mr. Boehler, [embodied] the obsessive, maniacal delight of the true believer… With superb diction, an eerie, caressing lyricism in the higher parts of his range and an easy descent into punctuating profundo notes, he was terrifying.”
- … read more