As the indispensable Despina, Soprano Jennifer Aylmer steals every scene she’s in, especially when Despina is passing herself off as a doctor or lawyer. Ms. Aylmer has terrific comic chops and a voice to match. It’s hard to imagine this role being done better . . . ” (as Despina in Così fan tutte with Opera Theater of St. Louis)

American soprano Jennifer Aylmer has developed a sterling reputation for her beautiful voice, compelling stage portrayals and impeccable musicianship. The New York Times has hailed her for her, “awesome accuracy,” while The Chicago Sun-Times has recommended that listeners, “bask in the aural delight of Aylmer’s dazzling shifts from regal command to cool insouciance and fatally attractive seduction.” Recent seasons saw her make her directorial debut with Stony Brook State University, her return to Portland Opera as Susanna in Le nozze di Figaro, her celebrated Despina in Così fan tutte with Opera Theatre of Saint Louis, her debut singing Monica in The Medium with Spoleto Festival USA, Filthy Habit with UrbanArias, and concert appearances with the Haydn Orchestra and Kansas City Symphony. She also returned by popular demand to the Isabella Stewart Gardner Museum in Boston with Baritone Randall Scarlata and pianist Laura Ward in their Tin Pan Alley concert. Engagements for the 2013-2014 season included Messiah with the National Chorale, Berta in Dallas Opera’s Il barbiere di Siviglia, a solo recital at Virginia Tech, joining the Skaneateles Festival in a series of concerts, and guest soloist in Handel’s L’Allegro, il Penseroso ed il Moderato with the Mark Morris Dance Group and the White Light Festival. Engagements for 2014-2015 and beyond include concerts with Lyric Fest and Carnegie Mellon University Philharmonic, Vivaldi’s Gloria with Manhattan Concert Productions, and appearances with the Brevard and Alabama Symphonies.

Ms. Aylmer was recently seen as Rodelinda with Portland Opera, Martha in John Brown with the Lyric Opera of Kansas City, Hannah in Opera New Jersey’s The Merry Widow and Gretel in Hansel und Gretel for her Atlanta Opera debut, a role which she also covered at the Metropolitan Opera. Concert engagements include appearances with Lyric Fest!, the Sarasota Performing Arts series, Sing for Hope, SEFoS, and NYFOS. The 2009-2010 season saw Ms. Aylmer’s return to the Metropolitan Opera to cover Berta in Il barbiere di Siviglia and Mme. Pdtochina’s Daughter in The Nose, an American Songbook concert with Lyric Fest concert series and a return to the Alabama Symphony for Mozart’s Requiem. Other recent engagements include her Semele with Florentine Opera, Kathie in The Student Prince with Nashville Opera, Mařenka in The Bartered Bride with Opera Boston, Susanna in Le nozze di Figaro at the Green Mountain Festival, Gretel in Hansel and Gretel with New York City Opera, Papagena in Die Zauberflöte with the Metropolitan Opera, Rosasharn in The Grapes of Wrath at Utah Opera, Gretel with the Phoenix Symphony, and joining the San Diego Symphony for Mozart’s Exultate, Jubilate, Villa-Lobos’ Bachianas Brasileiras, and Mahler’s Symphony No. 4.

Ms. Aylmer made her debut with the Metropolitan Opera in the 2005-2006 season as Bella in the world premiere of Tobias Picker’s An American Tragedy. Other highlights in the opera arena include leading roles in Handel’s Orlando, Don Pasquale, Die Zauberflöte, Le nozze di Figaro, Der Rosenkavalier, Handel’s Flavio, Street Scene, Falstaff, The Turn of the Screw, Rigoletto and A Streetcar Named Desire with such companies as New York City Opera, Minnesota Opera, Orlando Opera, Utah Opera, the Aspen Festival, Opera Theater of St. Louis, Kentucky Opera, Berkshire Opera and Austin Lyric Opera. As a member of the Houston Grand Opera studio, she created the role of Amy in the world premiere of Mark Adamo’s Little Women.

Equally accomplished in oratorio, concert, and an especially sought-after recitalist, Ms. Aylmer has been a featured soloist with the Haydn Orchestra in Balzano, Italy, the National Symphony Orchestra, the Aspen Festival Orchestra, and the Beijing Music Festival. She sang Eurydice in Gluck’s Orphée et Eurydice with the Oratorio Society of New York at Carnegie Hall opposite Ewa Podles, and made her San Francisco debut singing Bernstein’s Arias and Barcarolles with Michael Tilson Thomas. She is a recipient of the Alice Tully Hall Vocal Arts Debut Recital from the Juilliard School and has been presented across the country by the Marilyn Horne Foundation. A native of Long Island, Ms. Aylmer is a graduate of Eastman School of Music and alumnus of the Julliard Opera Center. Her many honors and awards include a Career Grant from the Sullivan Foundation, the Richard F. Gold Career Grant, the National Society of Arts and Letters and the Catherine Filene Shouse Career Grant from the Wolf Trap Opera Company.


Latest News About Jennifer Aylmer

Read more News about Jennifer Aylmer

Aylmer, the “perfect storyteller” brings her “lovely, full soprano”to the Skaneateles Festival

“(JENNIFER) AYLMER proves to be the perfect storyteller, animated and communicative, her lovely, full soprano sensitive to the power of the tales Sheherazade tells to save her life. Aylmer appears unhurried in the long opening song, “Asie,” a travelogue through the stereotypes of Eastern music, and she’s relaxed when the … read more

Aylmer brings the house down in Dallas Opera “Barbiere”

“But it wasn’t just the main stars, or Fiorello, that made this a such a strong cast. Both Burak Bilgli (Don Basilio) and Jennifer Aylmer (Berta) made strong impressions in their Dallas Opera debuts. . .and Aylmer nearly brought the house down in her Il vecchiotto circa moglie performance.” -OperaPulse… read more