One of America’s most distinguished lyric-coloratura sopranos, Amanda Pabyan has been described by the New York Times as “a brilliant coloratura” and “technically agile, clarion toned and incisive.” Most recently she revisited Konstanze in Die Entführung aus dem Serail for Arizona Opera and sang Donna Anna in Don Giovanni with Syracuse Opera. The 2012-2013 season saw her return to Syracuse Opera as Susanna in Le nozze di Figaro. Additionally, she performed Roselinda in Die Fledermaus with Opera on the James and joined the Cincinnati Pops for their concert From Stage to Screen: Opera Classics and Film Favorites. Additional recent highlights include Konstanze in Die Entführung aus dem Serail with Opera Atelier, Fiordiligi in Così fan tutte with the Lyrique-en-mer festival in Belle-ile, her role debut of Juliette in Roméo et Juliette with Syracuse Opera, Beethoven’s Ninth Symphony with the Seattle Symphony, and the cover of Donna Anna in Don Giovanni with New York City Opera and the Los Angeles Philharmonic. Upcoming engagements include Mahler’s Rückert Lieder with the Guatemala National Symphony Orchestra and her role debut as Leonore in Beethoven’s Fidelio with the Shippensburg Music Festival.

Having proved her mettle singing Mozart’s formidable Queen of the Night throughout the United States, Ms. Pabyan moved into more lyrical repertoire, making her role and house debut as Konstanze in Die Entführung aus dem Serail with Anchorage Opera. She has appeared as Gretel for Washington National Opera’s Hänsel und Gretel, Handel’s Messiah with Boston Baroque, and reprised her Blonde in Die Entführung aus dem Serail for Boston Lyric Opera. Ms. Pabyan made her Metropolitan Opera debut as the Queen of the Night in Die Zauberflöte under the baton of James Levine. Other recent opera engagements include Die Zauberflöte with Opera Colorado, Die Entführung aus dem Serail with Michigan Opera Theatre, and the title role in Gluck’s Orphée et Eurydice at Glimmerglass Opera.

In the 2005-2006 season Ms. Pabyan was engaged by the Metropolitan Opera and the Dallas Opera for productions of Ariadne auf Naxos, by New York City Opera for Capriccio, and by the Dallas Opera and Utah Symphony & Opera for Die Zauberflöte. She also joined James Conlon and the Cincinnati Symphony May Festival for concert performances of Die Entführung aus dem Serail and returned to Canterbury Opera in Christchurch, New Zealand to sing her first Lucia di Lammermoor garnering rave reviews from the press. Other operatic highlights include Die Zauberflöte at Washington National Opera, Florida Grand Opera, Minnesota Opera, and New York City Opera, Paul Bunyan at Florida Grand Opera, Thaïs at Kentucky Opera, Die Entführung aus dem Serail at Portland Opera, the title role of Lakmé with the Canterbury Opera, and Rosmene in Handel’s Imeneo at Glimmerglass Opera.

On the concert stage, she has joined the American Symphony Orchestra at Lincoln Center in a triple-bill of semi-staged operas by Hindemith, performed the Fauré Requiem with the North Carolina Symphony Orchestra, and appeared in a New Year’s Eve performance with the Boston Pops Orchestra in a program saluting the Viennese tradition. Ms. Pabyan participated in the Washington National Opera’s Domingo-Cafritz Young Artist Program and was the 2002 New England Regional Winner and a National Semi-finalist in the Metropolitan Opera National Council Auditions. She joined Glimmerglass Opera as a member of the Young American Artist Program in the summer of 2002 and appeared with the Santa Fe Opera in 2001 as part of the company’s Apprentice Artist Program.

Ms. Pabyan holds a Bachelor of Music from Rutgers University’s Mason Gross School of the Arts and a Master in Music from Boston University’s College of Fine Arts.  Her recording, Handel: Nel Dolce dell’ Oblio – Italian Cantatas and German Arias has been released with Callisto Records.


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Amanda Pabyan impresses with “perfect comic timing” in Syracuse’s Nozze di Figaro

Amanda Pabyan interprets Susanna as a capable, strong young woman, one who can surmount hurdles that threaten to keep her from marrying her true love. Her Act II aria as she puts girl’s clothes on the lusty Cherubino, a pants role played perfectly by Irene Roberts, reveals her perfect comic read more