Biography

“Audrey Babcock’s dusky Mezzo-Soprano and sexy theatricality lit up the stage.”
-Miami Herald

Mezzo-soprano Audrey Babcock is quickly gaining momentous acclaim as a fresh and vibrant interpreter of Carmen. Her richly hued voice, commanding presence, alluring body language, and sharply honed acting skills give her performances startling poignancy and depth, making her a sought after figure on the operatic scene. The 2013-2014 season includes several company debuts for Ms. Babcock, including with Boston Lyric Opera and Opera Coeur d’Alene as Maddalena in Rigoletto, the Dallas Opera as Mercedes in Carmen, Pensacola Opera as Carmen and Fort Worth Opera as Maria Luisa in the world premiere of With Blood, With Ink. Upcoming engagements include Maddalena in Opera Omaha’s Rigoletto and Carmen with Knoxville Opera.

In the 2012-2013 season, Ms. Babcock performed Maddalena with Opera Saratoga, made her return to Florentine Opera for the title role in Carmen, sang the title role in a reading of La Reina with the American Lyric Theater in New York and made her French debut with the Festival Lyrique-en-Mer as Carmen. Recently, she appeared as Erika in Sarasota Opera’s Vanessa, Suzuki in Madama Butterfly with Tulsa Opera, and debuted the new work The Poe Project with the American Lyric Theater. Ms. Babcock started her 2010-2011 season in Rigoletto as Maddalena with Virginia Opera, followed by the title role in Carmen with Opera Naples, Nashville Opera and the Buck Hill Festival, Jo in Little Women with Utah Opera and 2nd Lady in Die Zauberflöte with Spoleto Festival, USA.  2011 marked her debut with Opera New Jersey as the Secretary in Menotti’s The Consul where the Star Ledger noted that, “…Babcock stood out with a radiant Mezzo-Soprano and a fittingly tart sense of humor.”

Recent engagements for Ms. Babcock include Rigoletto  (Nashville Opera, Florentine Opera, Tulsa Opera, Toledo Opera) as well as Aldonza/Dulcinea in Man of La Mancha (Shreveport Opera, Lyric Opera of San Diego, Utah Festival Opera), Carmen with Wichita Grand Opera, Utah Festival Opera, Toledo Opera, Intermountain Opera and San Antonio Opera in which the SACurrent said, “Babcock’s voice is sultry and pillowy…she screamed sex”, her European debut in Carmen with the Savonlinna Opera Festival in 2010 and the World Premier of the one woman show, “Lily; her life, his music” at Dicapo Opera.  She has also sung Dorabella in Così fan tutte (Opera Idaho), Jo in Little Women (“Artist of the Year” award, Syracuse Opera), Lola in Cavalleria Rusticana (Utah Festival Opera), The Third Lady in The Magic Flute (Opera Pacific), Flora in La traviata (Cincinnati Opera), the New York Premier of Tobias Picker’s Thérèse Raquin (Dicapo Opera) and Carmen in The Tragedy of Carmen (Opera on the James). Ms. Babcock has performed with New York City Opera, Seattle Opera, Santa Fe Opera, Florida Grand Opera, and The New World Symphony and was featured in a televised concert series with world-renowned singer, Regina Resnik.

Her symphonic concert and recital engagements have included Verdi’s Requiem (Charleston Symphony and the West Virginia Symphony), Beethoven’s 9th Symphony (Eugene Symphony Orchestra), Mahler’s Symphony No. 2 (National Symphony Orchestra of Costa Rica), “Viva Verdi!” (Mobile Opera), “Murder and other Operatic Mayhem” (National Symphony Orchestra), and “Where the Boys Are” with musical director, Steven Blier.

Ms. Babcock is a winner of the George London Award, the Fritz and Lavinia Jensen Foundation award, and an Opera Index Encouragement Award.  She was also a Metropolitan Opera Regional Finalist two years in a row, a first place winner in the Friday Morning Music Club Washington International Voice Competition and placed in the Florida Grand YPO Voice Competition, Palm Beach Opera Voice Competition, and the Liederkranz Foundation Scholarship Award. Recording under the name Aviva, Ms. Babcock has released her debut album with Global Perspective Records called Songs for Carmen, a collection of works inspired by the character Carmen, and tours with Flamenco guitarist, Dan Nadel in a concert called “Beyond Carmen”.  www.aviva-music.com

Latest News About Audrey Babcock

Read more News about Audrey Babcock

In Review: Audrey Babcock in “Fallujah” at the Kennedy Center World Stages

“The bracing duet by the two overwrought mothers, Lubana Al quntar and mezzo-soprano Audrey Babcock wailing “How can I talk to him, How can I care for him” is a tear-filled, show stopping moment (literally and figuratively.) You can’t help but be affected.”-DC Metro Theater Arts

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Michael Mayes celebrated in role debut as BLO’s “Rigoletto” as Babcock revives her “alluring” Maddalena

“As Rigoletto, baritone Michael Mayes, also in his first BLO performance, caught the full range of the character’s jocularity as well as the dark anger and sorrowful depths of his tragic downfall. His amber-toned “Cortigiani” the jester’s pleading to the Duke’s courtiers, made for a pitiable and poignant moment, and Mayes’ … read more