“Audrey Babcock’s dusky Mezzo-Soprano and sexy theatricality lit up the stage.”
-Miami Herald

Audrey Babcock is an award-winning mezzo-soprano who is quickly gaining notoriety for her commanding, powerful performances as Carmen and her dark, hypnotic portrayals of Maddalena in Rigoletto. As Carmen, Ms. Babcock made her French debut with the Festival Lyrique-en-Mer and has performed the role with Florentine Opera, Nashville Opera, Florida Grand Opera, New York City Opera, San Antonio Opera, Knoxville Opera, Opera Delaware, Toledo Opera, and Utah Festival Opera where The Salt Lake Tribune wrote “Audrey Babcock’s performance as Carmen was a spellbinding tour de force…from the moment she took the stage her self-assured characterization was mesmerizing …Babcock’s caramel-hued mezzo was a pleasure…her supple tones caressed the notes, radiating earthy allure.”

Widely recognized as a choice singer for new works, Ms. Babcock has premiered several new operas including Tobias Picker’s Thérèse Raquin (NY Premiere – Dicapo Opera), With Blood, With Ink (World Premiere – Fort Worth Opera), La Reina (American Lyric Theater, NY), The Poe Project (American Lyric Theater), and appeared as Mother in Winter’s Tale with Beth Morrison’s Prototype Festival in NYC in 2015. Engagements for the 2015-2016 season include Carmen (Anchorage Opera), Rosette in Manon (Dallas Opera), La Reina (Prototype Festival), A Mass of Life (American Symphony Orchestra), and a concert with Flamenco Sephardit. Future seasons include Donna Elvira in Don Giovanni (New Orleans Opera), Maddalena in Rigoletto (Palm Beach Opera), Carmen (Dayton Opera), and a return to Fort Worth Opera.

Recent engagements as Maddalena (Rigoletto) have included Boston Lyric Opera, Opera Omaha, Tulsa Opera, Florentine Opera and Nashville Opera, where Broadway World wrote “Mezzo-soprano Audrey Babcock, as the manipulative and cunning Maddalena, very nearly steals the show in her third act appearance, giving audiences a mere glimpse of what we can expect from her Carmen, the centerpiece of Nashville Opera’s 30th Anniversary Season: She gives a stunningly full-throated performance of the sexy and sensuous Maddalena and the senses reel in anticipation of her Carmen.” Ms. Babcock portrayed Erika in Vanessa (Sarasota Opera), Suzuki in Madama Butterfly (Tulsa Opera), and Jo in Little Women with Utah Opera and Syracuse Opera, where she won Artist of the Year. She played the Second Lady in Die Zauberflöte with Spoleto Festival, USA, and the Secretary in Menotti’s The Consul (New Jersey Opera). She has also sung Dorabella in Così fan tutte (Opera Idaho), Lola in Cavalleria rusticana (Utah Festival Opera and Washington Concert Opera), The Third Lady in The Magic Flute (Opera Pacific), Flora in La traviata (Cincinnati Opera), and Carmen in The Tragedy of Carmen (Opera Delaware, Opera on the James, and Florida Grand Opera). Ms. Babcock has performed with New York City Opera, Seattle Opera, Santa Fe Opera, Dallas Opera, Florida Grand Opera, Wolf Trap Opera, and The New World Symphony and was also featured in a televised concert of Russian music with world-renowned singer, Regina Resnik.

Her symphonic concert and recital engagements have included Verdi’s Requiem (Charleston Symphony and the West Virginia Symphony), Beethoven’s 9th Symphony (Eugene Symphony Orchestra), Mahler’s Symphony No. 2 (National Symphony Orchestra of Costa Rica), Viva Verdi! (Mobile Opera), Murder and other Operatic Mayhem (National Symphony Orchestra), and Where the Boys Are with musical director, Steven Blier. Musical Theater works include Aldonza/Dulcinea in Man of La Mancha with Shreveport Opera, Lyric Opera of San Diego and Utah Festival Opera, Mrs. Lovett in Sweeney Todd (Wolf Trap Opera) and the music of Kurt Weill with the World Premier of Lily; her life, his music (Dicapo Opera), a one-woman fictional melodrama written and produced by Ms. Babcock.

She the recipient of a number of awards including “Artist of the Year” for her portrayal of Jo in Mark Adamo’s Little Women (Syracuse Opera), the George London Award, the Fritz and Lavinia Jensen Foundation award, and the Opera Index and Sullivan Foundation Encouragement Award.  She was also a Metropolitan Opera Regional Finalist two years in a row, a first place winner in the Friday Morning Music Club Washington International Voice Competition and placed in the Florida Grand YPO Voice Competition, Palm Beach Opera Voice Competition, and the Liederkranz Foundation Scholarship Award. Recording under the name Aviva, Ms. Babcock has released an album of Ladino pieces called Songs for Carmen, a collection of works sung in Ladino and Arabic, inspired by the character Carmen.

Latest News About Audrey Babcock

Read more News about Audrey Babcock

In Review: Katherine Whyte and Audrey Babcock in Dallas Opera’s “Manon”

“The evening’s best singing — quite fine, actually — came from the trio of “actresses”: KATHERINE WHYTE, Kathryn Leemhuis and AUDREY BABCOCK.” -Dallas Morning News   Read full review.   “Guillot’s three female “attendants” make for a delightful trio: AUDREY BABCOCK, KATHERINE WHYTE, and Kathryn Leemhuis.”   Read full read more

Babcock is a “big hit” in Knoxville “Carmen”

“Foremost, of course, is AUDREY BABCOCK’s Carmen, who not only sings her heart out, but is also responsible for the often delicious choreography. The big hit is Babcock’s singing of the famous “Habanera” aria in Act I. If one might have wished for a little more gypsy passion, Babcock’s singing delivers … read more