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Recent acclaim for ADA Artists

The reviews are in for Michael Mayes​ in Bard SummerScape​’s “The Wreckers”!

“The baritone MICHAEL MAYES made a strong impression as Lawrence, Avis’s father.” – New York Times

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“MICHAEL MAYES (Lawrence, the lighthouse keeper and father of Avis; he also leads the trial of Act III) was another charismatic performer” -Boston Musical Intelligencer

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“Her father, Lawrence … read more

In Review: Bowers and Colaneri in Glimmerglass Festival’s effervescent “Candide”

“The score glitters gaily under JOSPEH COLANERI’s persuasive leadership.” – Financial Times

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“CHRISTIAN BOWERS has the biggest voice and, as his character Maximilian, the largest ego as well. His unabashed self-love is so amusing and his voice so “loverly” he nearly steals the show.”
-DC Theatre Scene… read more

Aaron Pegram impresses in Dresden’s “Le nozze di Figaro”

“Jenseits der Kernhandlung bleibt AARON PEGRAMs kurzer, wohltönender und deklamatorisch wie schauspielerisch präzise gestalteter Auftritt als Don Basilio im Gedächtnis. / Beyond the central plot is Aaron Pegram’s brief, melodious and declamatory Don Basilio; as precisely acted and crafted a performance of Basilio I have in memory.” -Opernwelt

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In Review: Cindy Sadler as Marcellina in New Orleans “Nozze di Figaro”

“The Bartolo of Thomas Hammons and Marcellina of CYNTHIA SADLER provided excellent comic support.” -Opera News

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Lenormand praised for her “Beautiful rich mezzo” in Festival Radio-France “Fantasio”

“Flamel est chanté par MARIE LENORMAND, beau mezzo au timbre riche, aux amples graves, toujours intelligible. / Flamel is sung by Marie Lenormand, with a beautiful rich mezzo timbre, ample depth, always intelligible.”

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“Il faut aussi citer Marie Lenormand, excellente Flamel (dame de compagnie de la … read more