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Seth Mease Carico: Panthée
“I love the Ancients, regardless of their merits and deficits, because they are not like modern people, because they are new” explained Hector Berlioz, writing in September 1850 in Le journal des débats. A present-day sceptic, he was enthralled by ancient history from an early age and developed his own contemporary perspective on these tales of antiquity, seeing them as a constantly repeated round of victories and defeats.
In his double opera THE TROJANS, a huge, sweeping panorama, he weaves a web of individual destinies while creating overarching perspectives and ageless formats. Berlioz presents the horror of war, harnesses insight and helplessness as the twin drivers of a cruel epic, tells of love and renunciation, of guileless guilt and inexorable fate.