ADA Artist Management & Representation
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Tyler Simpson: Marchese d’Obigny (cover)
Soprano Diana Damrau tackles Verdi’s eternal heroine for the first time at the Met in Willy Decker’s inspiring production. Plácido Domingo expands his repertoire to sing the baritone role of Germont, Violetta’s tormentor. Tenor Saimir Pirgu sings Alfredo, her naïve lover. Yannick Nézet-Séguin conducts.
Scott Scully: Gastone
Soprano Diana Damrau tackles Verdi’s eternal heroine for the first time at the Met in Willy Decker’s inspiring production. Plácido Domingo expands his repertoire to sing the baritone role of Germont, Violetta’s tormentor. Tenor Saimir Pirgu sings Alfredo, her naïve lover. Yannick Nézet-Séguin conducts.
Seth Mease Carico: Biterolf
Tannhäuser longs to return from the realm of Venus to his terrestrial existence. Only by invoking the Virgin Mary does he manage to escape from the Goddess. Hermann of Thuringia and his assembly of noble huntsmen welcome the long-lost Tannhäuser. The prospect of being reunited with his beloved Elisabeth prompts … read more
Stephanos Tsirakoglou: Biterolf
Tannhäuser, with music and text by Richard Wagner, is based on the two German legends of Tannhäuser and the song contest at Wartburg Castle, where the performances will take place. The story centers on the struggle between sacred and profane love, and redemption through love, a theme running through most of Wagner’s mature work.
Stephanos Tsirakoglou: Sprecher
Endlessly inventive, charmingly fantastical and utterly unique, Mozart’s final opera is a profound yet lighthearted tale of romantic love, spiritual transcendence and the beguiling art of birdcatching.
Scott Scully: Gastone
Soprano Diana Damrau tackles Verdi’s eternal heroine for the first time at the Met in Willy Decker’s inspiring production. Plácido Domingo expands his repertoire to sing the baritone role of Germont, Violetta’s tormentor. Tenor Saimir Pirgu sings Alfredo, her naïve lover. Yannick Nézet-Séguin conducts.