ADA Artist Management & Representation
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Our artists bring a wealth of talents to help realize your vision on the operatic or concert stage.
Jesse Blumberg
Program TBA
Artists: Jolle Greenleaf (Soprano); Molly Quinn (Soprano); Luthien Brackett (Alto); Marc Molomot (Tenor); Jesse Blumberg (Baritone); Charles Brink (Flute); Andrew Appel (Harpsichord); Krista Bennion Feeney (Violin); Loretta O’Sullivan (Cello); Beverly Au (Viol); Lawrence Lipnik (Viol); Rosamund Morley (Viol); Lisa Terry (Viol)
Ensembles: Four Nations Ensemble; Parthenia; TENET. Tickets … read more
Seth Mease Carico – Jailer
TOSCA is the story of an absorbing triangular relationship centring on a strong female character. Scarpia, Tosca and Cavaradossi, in their different ways, all insist on their personal freedom to act as they please – Scarpia as a condition of his claim to power, Cavaradossi in his rebellious urge to… read more
Gaston Rivero: Agamennone
Vittorio Gnecchi´s CASSANDRA and Richard Strauss’ ELEKTRA are not only pieces of the same puzzle respecting the narrative element concerning the curse of the Atrides. Shortly after ELEKTRA premiered, an article was published with the title Telepatia musicale? [Musical Telepathy?], in which author Giovanni Tebaldini tried to prove with the … read more
Javier Abreu: Vallet/Tribune II
Claudio Monteverdi’s final work, ‘L’incoronazione di Poppea’, was first performed at the Teatro dei Santi Giovanni e Paolo (Grimani Theatre) in Venice, at the 1642 carnival. It was one of the first works to be performed outside aristocratic lounges, for an audience that paid for their tickets. It was perhaps … read more
Seth Mease Carico – Old servant
ELEKTRA
Tragedy in one act by Richard Strauss
Poem by Hugo von Hofmannsthal
First performance on 25th January, 1909 at Dresden
Premiered at Deutsche Oper Berlin on 3rd November, 2007
Javier Abreu: Vallet/Tribune II
Claudio Monteverdi’s final work, ‘L’incoronazione di Poppea’, was first performed at the Teatro dei Santi Giovanni e Paolo (Grimani Theatre) in Venice, at the 1642 carnival. It was one of the first works to be performed outside aristocratic lounges, for an audience that paid for their tickets. It was perhaps … read more
Amanda Crider – Soloist
Vocal solos and ensembles featuring FIU faculty member, Robert B. Dundas and distinguished guest singers: Esther Jane Hardenbergh, soprano; Amanda Crider, mezzo soprano; John Thomasson, bass-baritone; Therese Lindquist, piano
Gaston Rivero: Agamennone
Vittorio Gnecchi´s CASSANDRA and Richard Strauss’ ELEKTRA are not only pieces of the same puzzle respecting the narrative element concerning the curse of the Atrides. Shortly after ELEKTRA premiered, an article was published with the title Telepatia musicale? [Musical Telepathy?], in which author Giovanni Tebaldini tried to prove with the … read more
Javier Abreu: Vallet/Tribune II
Claudio Monteverdi’s final work, ‘L’incoronazione di Poppea’, was first performed at the Teatro dei Santi Giovanni e Paolo (Grimani Theatre) in Venice, at the 1642 carnival. It was one of the first works to be performed outside aristocratic lounges, for an audience that paid for their tickets. It was perhaps … read more