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Recent acclaim for ADA Artists

Opera News reviews Daniel Belcher and Javier Abreu​ in Opera Saratoga’s “The Long Walk”

“Saratoga’s cast could scarcely have been better….DANIEL BELCHER (a bravura Brian in acting, verbal articulation and subtly applied tone color). . . BELCHER’s youthful affect was augmented by his usual attire of running shorts – the character begins and ends the opera running in the Buffalo suburbs, away from “WAS” … read more

In Review: Trevino proves an “excellent” Sparafucile in Vancouver “Rigoletto”

“Matthew Treviño as Sparafucile and Carolyn Sproule as Maddalena were excellent as the sinister brother and sister with their humanizing touches; the former with his perverse professional pride and the latter with her weakness for a handsome young nobleman. Mr Treviño possesses a fine bass voice and sang with authority … read more

In Review: Mechavich leads Kentucky Opera’s “Macbeth”

“Music director JOSEPH MECHAVICH led the Louisville Orchestra and the singers to seamlessly coordinate with clear instrumentation that never overpowered the voices on stage or vice versa.” -The Courier Journal

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“Verdi’s score is dark and beautiful, punctuated by dramatic pauses in the music when the cast sings without … read more

Calenos celebrated for her “admiral focus and agility” in Odyssey Opera “Le Cid”

“As the Infanta (the king’s daughter), also enamored of Rodrigo, ELENI CALENOS sang with admirable focus and agility, and an appropriately aristocratic bearing.” – Boston Classical Review

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“Eleni Calenos displayed a limpid soprano as the king’s daughter” -Boston Globe

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In Review: Philippe Talbot sings Platée with the Opéra National de Paris

“All honor given where deserved: with PHILIPPE TALBOT rests the delicate task of succeeding Paul Agnew. His voice is clear, well assured in the first two acts; its timbre varies between honey and metal, such as the personality of the nymph Swamp: from haughty, to vain, loving, naughty and finally … read more