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Recent acclaim for ADA Artists

The reviews are in for Michael Mayes​ in Bard SummerScape​’s “The Wreckers”!

“The baritone MICHAEL MAYES made a strong impression as Lawrence, Avis’s father.” – New York Times

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“MICHAEL MAYES (Lawrence, the lighthouse keeper and father of Avis; he also leads the trial of Act III) was another charismatic performer” -Boston Musical Intelligencer

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“Her father, Lawrence … read more

In Review: Bowers and Colaneri in Glimmerglass Festival’s effervescent “Candide”

“The score glitters gaily under JOSPEH COLANERI’s persuasive leadership.” – Financial Times

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“CHRISTIAN BOWERS has the biggest voice and, as his character Maximilian, the largest ego as well. His unabashed self-love is so amusing and his voice so “loverly” he nearly steals the show.”
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Aaron Pegram impresses in Dresden’s “Le nozze di Figaro”

“Jenseits der Kernhandlung bleibt AARON PEGRAMs kurzer, wohltönender und deklamatorisch wie schauspielerisch präzise gestalteter Auftritt als Don Basilio im Gedächtnis. / Beyond the central plot is Aaron Pegram’s brief, melodious and declamatory Don Basilio; as precisely acted and crafted a performance of Basilio I have in memory.” -Opernwelt

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In Review: Cindy Sadler as Marcellina in New Orleans “Nozze di Figaro”

“The Bartolo of Thomas Hammons and Marcellina of CYNTHIA SADLER provided excellent comic support.” -Opera News

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Lenormand praised for her “Beautiful rich mezzo” in Festival Radio-France “Fantasio”

“Flamel est chanté par MARIE LENORMAND, beau mezzo au timbre riche, aux amples graves, toujours intelligible. / Flamel is sung by Marie Lenormand, with a beautiful rich mezzo timbre, ample depth, always intelligible.” -ForumOpera.com

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“Il faut aussi citer Marie Lenormand, excellente Flamel (dame de compagnie de la … read more